Ethics and the Novel: Nietzsche’s Twist

My latest post at the group blog New APPS

 

The slow emergence of the novel as a major literary genre is an ethical event. The novel as a form of literary writing goes back to Greek antiquity, and one novel from antiquity is still widely read,  The Metamorphoses of Apulieus (or The Golden Ass by Apulieus). One of the great writers on the form of the novel, Mikhail Bakhtin, even claimed it went back to the Menippean Satire of antiquity. This is probably  not one of his most shared ideas. In any case, the idea of a unique moment of origin is not a good basis. There are a series of beginning, which include antique epics, behind the novel as it developed from the sixteenth to nineteenth centuries, when it did become accepted as a literary genre on a level with epic, drama, and lyric poetry.

The modern origin is again ambiguous. Rabelais provides a strong candidate, with major attention coming from Eric Auerbach as well as Bakthin, but Don Quixote is the more widespread object of discussion. Nietzsche refers to it (Genealogy, II.6) as with regard to a change in ideas of humour, so explicitly ethical ideas about where we can find humour. The original readers of Cervantes could laugh without restraint at the suffering of Quixote, and the suffering caused by the ‘ingenious hidalgo’, but Nietzsche suggests that by his time, readers feel unease and even pain themselves at the suffering and humiliation.

 

For the rest read on here.

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