Why Buffy and Joss Whedon’s other work matter

Joss Whedon created Buffy the Vampire Slayer, after three series this lead to the spin off Angel. Buffy ran for 7 seasons, Angel ran for 5 seasons. Towards the end of that period Whedon made 14 episodes of Firefly before it was cancelled by the network. The sequel to Firefly was the film Serenity. All these things have sold in massive amounts on DVD, unfortunately TV and cinema have been more mixed in their returns.

I’ll be returing to the Whedonverse. First of all, why does it matter? Today we’ll concentrate on Buffy. A series with a silly sounding name. The full name of the series, as Whedon points out, combines comedy, horror and drama. The silliness already indicates an interest in combining genres and crossing boundaries. What are the themes that appear and make Buffy important 8and which appear in the rest of the Whedonverse).

Buffy is an icon of female power, often defeating patronising enemies.
Buffy is also an ambiguous character: the hero and the disturbed individualist
The apparently simple conflict between good and evil moves switches back and forth between moral ambiguity and moral absolutes.
Buffy is drawn in different ways to 2 vampire characters (Angel and Spike) who make journeys from good to evil.
Buffy, Angel and Spike finds that despite the elemental conflicts she participates in, that the world has no meaning. The only morsl perspective is what the individual brings.
These characters refer to alientated states of mind and the struggle to overcome subjective alienation.
Characters find that passion drives them and is the basis rather than moral judgement.
Spike shows a moral evolution driven first by the restraint of a violence inhibiting implant, then by love for Buffy and then by regaining his ‘soul’ (soul=conscience in the Whedonverse). Many questions arise here about what morality is and what moral motivation is.
Individual difference and liberty are promoted along with an awareness that they can become alienating and disturbing.
Buffy is drawn towards ‘the dark’, towards violence, aggression and chaos in her own struggle against them.
The struggle against demonic chaos is a struggle to impose the order that Buffy resists.
Characters go through remarkable changes from apparent good to evil, and from evil to good. This is made very material in the vampirasation of Spike and Angel, both events are shown in flashback, and in the ways in which Angel and Spike get their souls back. For Angel, a soul is a punishment, for Spike it is a reward he seeks to make him worthy of Buffy. These tranformations and many others, raise questions about the limits of personal identity and the posisbility of change within continuous identity.
It deals with different possible worlds, as do many philosophers.
It’s very funny, all serious themes are ironised and everything is ironised. This is an important message in itself. Comedy and tragedy are always close together.

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